"Some Pleasure on the Level of the Source" follows a little girl as she jumps rope, colors a rectangle red, has her eyes covered, sits with her hands in her lap, and pushes her hair back sultrily. Greytak's films utilize pictures and words in a haltingly additive fashion. In the name of "focusing to perception an occurrence or incident that would normally go unseen," she displays the incremental accumulations that makeup meaning... they illustrate on both a literal and literary level certain theoretical texts concerning "the look," the code," filmic activity and the narrator/spectator relationship."–Barbara Kruger, Artforum Magazine;Jan 1984.
Original television production for young people. A dramatically unusual story of the most elusive meeting of former classmates from primary school, who, thanks to their first social experiences, corrected adolescent swarms and clarified their possibilities for real self-employment, their life desires and creative goals in life.
A journalist sets out to report on a minor earthquake in the Australian outback, and finds that the tremor was a result of a small nuclear explosion - part of an extortion threat that has the government fearing nuclear blackmail.
An in-depth look into the making of the film Annie (1982). It covers the adaptation changes from the original Broadway musical, the hiring of director John Huston, the nationwide search to cast the title role, the production process, and the conception of several musical numbers, including a different version of the song "Easy Street" than the one that ended up in the film.
The Bed opens with Jamie, a young man, looking round an old, deserted country house. Through flashback we see Jamie as a boy, scared out of his wits when his older sister and her boyfriend, left alone in the house to babysit Jamie for the evening, play cruel tricks on him.
Mrs. Garrett and the girls travel to Paris, France. Mrs. Garrett takes a cooking class taught by a famous chef as the girls take classes at the sister school of Eastland.
