Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye
A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph.
As Black and LGBTQ+ History Month begin this February, material science clothing brand PANGAIA leads celebrations with a poetic film that honors these two communities.
An ambigious “love story” told through the 1930’s archive of a British archaelogist who took a camera on his digs in the British mandate for Palestine and fell in love with his Bedouin assistant.
In a bid to encourage city-dwellers to leave behind the restrictions of war, 'The Green Girdle' escapes from the austere urban landscape of inner-city London and savours the natural delights of the capital’s rural surroundings.
Alternative movies trailers for Terminal City
More movie trailers, teasers, and clips from Terminal City:
Terminal City Rats - Terminal City Rats EP
Self-released (2018) 1. The Lions Roar 00:00 2. The Struggle 01:52 3. Heres To You (Broken And Alone) 03:58.
Terminal City Rollergirls on Living Vancouver
Derby Moms rule!
Popular movie trailers from 1982
These some of the most viewed trailers for movies released in 1982:
A young woman travels with her partner to England on the unexpected death of her brother. Staying with her sister-in-law, she finds her companion soon drawn into a satanic cult based in the house whose rites seem to centre somewhat on large-scale sexual congress.
Sally (Sally Yeh) is a club singer, caught in a love rectangle between three men: Stone (Kenny Bee), a bank robber newly released from prison, club owner Paul King (Michael Chan Wai-Man) and Pow (Melvin Wong), a policeman.
It begins in the days after Sadat's assassination in 1981 by an islamist cell of army officers. The American media had led an outpouring of shock and grief in the United States at the death of the heroic president.
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