An autobiographical fantasy, depicting the duality of an individual torn by conflicting desires. A reflection of the reconciliation between work and the creative imagination.
It begins in the days after Sadat's assassination in 1981 by an islamist cell of army officers. The American media had led an outpouring of shock and grief in the United States at the death of the heroic president.
Tomisaburo Wakayama is back with a new take on the classic Yamamoto Shugoro masterpiece “Ame Agaru” as a samurai on the run with his bride who makes a living by challenging dojo masters to a match, then taking money from them to keep quiet about it.
Little boy learns of his stepmother's infidelity and later witnesses a murder... but the shocks have thrown him into a hysterical paralysis, and it's almost impossible for him to communicate anything to anybody.
An in-depth look into the making of the film Annie (1982). It covers the adaptation changes from the original Broadway musical, the hiring of director John Huston, the nationwide search to cast the title role, the production process, and the conception of several musical numbers, including a different version of the song "Easy Street" than the one that ended up in the film.
Sally (Sally Yeh) is a club singer, caught in a love rectangle between three men: Stone (Kenny Bee), a bank robber newly released from prison, club owner Paul King (Michael Chan Wai-Man) and Pow (Melvin Wong), a policeman.