Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against the notion of authorship: a vindication of the community content (repressed?) in every image.
Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary Final Academy events at the South London Ritzy Cinema.
Set in Hamburg's “Hell's Kitchen,” a waterfront milieu of gangsters, pimps, dealers and prostitutes, the story follows the attempts of an ex-seaman first to insinuate himself into the scene, and then to extricate himself from it.
When his parents are killed by three men, Amar, Akbar and Anthony, Vijay teams up with a forest officer who was framed in a murder case to avenge their deaths.
The story of a novice teacher who manages to win over not only her students but also her colleagues. Through her activity and dedication, she manages to ensure the completion of a gymnasium that has been under construction for 3 years.
“The details of the young actor’s face – his eyes, eyebrows, earlobe, chin, etc. – are set opposite the old buildings in the market quarter of Athens, where every street is named after a classic ancient Greek playwrite.
This official entry to the first Metro Manila Film Festival in 1983 directed by Lino Brocka and starred Carmi Martin, Phillip Salvador, Dennis Roldan, Vic Diaz, and Tony Santos, Sr centers on the story of Gigi, a burlesque dancer who is the main attraction of show.
A woman was raped in her school years and broke up with her lover because of it. Later, when she became a high school music teacher, she had forbidden liaisons with her colleagues and students at her apartment.