In 1921 the Kwakiut'l people of Alert Bay, British Columbia, held their last secret potlatch. In 1980 at Alert Bay, the U'mista Cultural Centre (U'mista means "something of great value that has come back") opened its doors to receive and house the cultural treasures which were seized decades earlier and only then returned to the people. The center also took up activities such as recording stories told by elders so that some part of the past would always be alive and teaching children about their heritage in order to make them feel connected to their ancestors. This film documents the cultural significance of these events for today's Kwakiut'l people. It is an eloquent testimony to the persistence and complexity of Kwakiut'l society and to the struggle for redefining cultural identity for them.
After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day.
Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.
The film is about inspiration, reminding the power of collective action, the importance of preserving the heritage of Santa Ana, and the boundless potential that lies within the community.
A documentary short which follows follow Quandamooka artist Megan Cope in the creation of her work 'Whispers' and the lead up to the opening of the exhibition at Sydney Opera House in 2023.
The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canadaโs civil rights historyโthe beginnings of Indian Nationalism in the 1930sโwith the powerful momentum of First Nations activism today.
Traveling through villages along the Nicaraguan-Honduran border, the filmmakers document the impact of the covert war against Nicaragua's Sandinista government, featuring interviews with mercenaries, soldiers, spies and civilian victims.
Set in Hamburg's โHell's Kitchen,โ a waterfront milieu of gangsters, pimps, dealers and prostitutes, the story follows the attempts of an ex-seaman first to insinuate himself into the scene, and then to extricate himself from it.
The film is inspired by the Mรกrio de Sรก-Carneiro short story, where the narration is made by Professor Antena's assistant who walks by his side when he is run over in a perhaps enigmatic way.
โThe details of the young actorโs face โ his eyes, eyebrows, earlobe, chin, etc. โ are set opposite the old buildings in the market quarter of Athens, where every street is named after a classic ancient Greek playwrite.
A woman was raped in her school years and broke up with her lover because of it. Later, when she became a high school music teacher, she had forbidden liaisons with her colleagues and students at her apartment.
