Mirage offers a thoughtful and disturbing meditation on a wide variety of cinematic problems - the portrayal of women in film, the ability of a reassuring male commentary (“Dreams come true in Blue Hawaii”) to direct our gaze and our conventions of fantasy/dreamland. The film tests ones ability to pay attention. We keep seeing essentially the same image and hearing the same phrase yet we have a difficulty grasping what this film is about. The film has a mystery or haunting feeling to it that perhaps surfaces well after one has seen it, and is the basis of thought on the subject of the sexual portrayal of women on film. Mirage could be seen many times; perhaps the tail could be spliced to the head resulting in a continuous loop - as there is no clear beginning, middle, or end to the film – somewhat like the nature of our own existence. – Martin Rumsby, The Invisible Cinema
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Popular movie trailers from 1983
These some of the most viewed trailers for movies released in 1983:
Faithful adaptation of a story by Tomasi di Lampedusa on the encounter between a man and a mermaid, for the television series Ten Italian directors, ten Italian short stories , in which Gianni Amelio, Luigi Comencini, Carlo Lizzani participated among others.
The story of a novice teacher who manages to win over not only her students but also her colleagues. Through her activity and dedication, she manages to ensure the completion of a gymnasium that has been under construction for 3 years.
This official entry to the first Metro Manila Film Festival in 1983 directed by Lino Brocka and starred Carmi Martin, Phillip Salvador, Dennis Roldan, Vic Diaz, and Tony Santos, Sr centers on the story of Gigi, a burlesque dancer who is the main attraction of show.
Comments
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