'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.' - Marguerite Duras, Venice film festival catalogue, 1982.
After their father abruptly sells the beloved family-owned restaurant that has employed them for years, the charismatic McDermott boys - hot-tempered Brian (Quill), lovelorn Kit (Mulroney) and jokester Duncan (Astin) - find themselves at odds with their parents and each other.
An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof.
Pride is the first of the seven deadly sins. The introduction is made through early allegorical forms and figures (triumphal procession, dance of death, Baroque tragedy etc.
Four alternating stories about mundane, personal methods of control. Children and a developmentally disabled adult operate control panels made out of paper, lists, monsters and their own bodies.
Two first-year students at Oxford University join a secret society and learn that their reputations can be made or destroyed over the course of one evening.
Della, a 45-year-old wanna-be, coulda-been jazz singer and her lover, Dale, a 23 year old small time criminal, are in the final stages of their dysfunctional relationship.
Traveling through villages along the Nicaraguan-Honduran border, the filmmakers document the impact of the covert war against Nicaragua's Sandinista government, featuring interviews with mercenaries, soldiers, spies and civilian victims.
Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary Final Academy events at the South London Ritzy Cinema.
This official entry to the first Metro Manila Film Festival in 1983 directed by Lino Brocka and starred Carmi Martin, Phillip Salvador, Dennis Roldan, Vic Diaz, and Tony Santos, Sr centers on the story of Gigi, a burlesque dancer who is the main attraction of show.
When his parents are killed by three men, Amar, Akbar and Anthony, Vijay teams up with a forest officer who was framed in a murder case to avenge their deaths.
Set in Hamburg's “Hell's Kitchen,” a waterfront milieu of gangsters, pimps, dealers and prostitutes, the story follows the attempts of an ex-seaman first to insinuate himself into the scene, and then to extricate himself from it.
The story, told partly in flashback to 1968, concerns a clique of English public schoolboys who bully and humiliate an unpopular younger pupil (Cox) who is 'bad at games'.
A lift technician finds himself drawn into a web of mystery and peril as he investigates the perplexing deadly accidents occurring in the elevators of a new office building.
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Have you watched Roman Dialogue yet? What did you think about it?
