An attempt to visualize a secret knowledge about the nature of man —a philo-clip—, through the use of structures of dissociated geometry and laser beams, with direct references to the Renaissance, Leonardo da Vinci and the work of Agrippa von Nettesheim.
This short begins with the star canine and his owner Penny in peril from "The Man with the Green Eye", trapped within his fortress protected by overwhelming defenses, tied up and suspended high above a bottomless pit that's surrounded by fire.
Using an array of gloves in different styles and from different historical periods, the film is a short history of the cinema - from silent movies via pastiches of Buñuel and Fellini and Close Encounters of the Third Kind to a futurist junkyard where tin cans become animated police cars in a city of urban decay.
Twin Blood is an alternate version of Blade and Evil's first battle, with drastically different character and mecha designs from the rest of the series.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Wallace and Gromit open a bakery, accidentally getting tied up with a murder mystery in the process. But when Wallace falls in love, Gromit is left to solve the case by himself.
In a sterile white examination room, a young woman is asked by a doctor to undress completely. An exhaustive examination of the protagonist’s skin begins during which every centimetre, the palm of her hand, the sole of her foot, the back and also the genital area are closely scrutinised.
Faithful adaptation of a story by Tomasi di Lampedusa on the encounter between a man and a mermaid, for the television series Ten Italian directors, ten Italian short stories , in which Gianni Amelio, Luigi Comencini, Carlo Lizzani participated among others.
The film is inspired by the Mário de Sá-Carneiro short story, where the narration is made by Professor Antena's assistant who walks by his side when he is run over in a perhaps enigmatic way.
Set in Hamburg's “Hell's Kitchen,” a waterfront milieu of gangsters, pimps, dealers and prostitutes, the story follows the attempts of an ex-seaman first to insinuate himself into the scene, and then to extricate himself from it.
Traveling through villages along the Nicaraguan-Honduran border, the filmmakers document the impact of the covert war against Nicaragua's Sandinista government, featuring interviews with mercenaries, soldiers, spies and civilian victims.