Omnibus consisting of three segments. The first story is about a fight between the boy's parents, after which he ends up in a correctional hall, and then in jail. The second story is about a mental patient who leaves the hospital to find his wife, a fashion model. The third story is about two factory employees who go for a few drinks after work, only to end up later at one of his mother's house where they all get drunk.
Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life.
Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art.
In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.
30 years of freedom = 30 authors = 30 minutes of films. A unique project of Reflex magazine and Czech Television, which in honor of the 30th anniversary of the Velvet Revolution reflects many forms and understanding of freedom.
Crossroad is a first -of-its-kind portmanteau movie celebrating womanhood and tells the story of ten women, facing ten different life situations and explores how they tackle it.
Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years.
"DIVOC-12" is a project by Sony Pictures Entertainment Inc. to produce an omnibus consisting of 12 short films, aiming to enable creators, production staff, and actors affected by the coronavirus infection to continue to engage in creative activities.
The story, told partly in flashback to 1968, concerns a clique of English public schoolboys who bully and humiliate an unpopular younger pupil (Cox) who is 'bad at games'.
Traveling through villages along the Nicaraguan-Honduran border, the filmmakers document the impact of the covert war against Nicaragua's Sandinista government, featuring interviews with mercenaries, soldiers, spies and civilian victims.
