The career of Norman McLaren is well documented; less so that of his collaborator, the textiles artist, sculptress and active member of the Glasgow Kino Film Group, Helen Biggar. Traces Left explores the part Biggar played in the making of Hell Unltd, plus her contributions to the vibrant Glaswegian art and political scene of the 30s and 40s. Don’t miss this rare screening.
Traveling through villages along the Nicaraguan-Honduran border, the filmmakers document the impact of the covert war against Nicaragua's Sandinista government, featuring interviews with mercenaries, soldiers, spies and civilian victims.
The film is inspired by the Mário de Sá-Carneiro short story, where the narration is made by Professor Antena's assistant who walks by his side when he is run over in a perhaps enigmatic way.
Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary Final Academy events at the South London Ritzy Cinema.
The story, told partly in flashback to 1968, concerns a clique of English public schoolboys who bully and humiliate an unpopular younger pupil (Cox) who is 'bad at games'.
The story of a novice teacher who manages to win over not only her students but also her colleagues. Through her activity and dedication, she manages to ensure the completion of a gymnasium that has been under construction for 3 years.
A guy picks up a girl hitchhiking and starts making advances to her to sleep with her, albeit with the ruse of offering to do a photo shoot so that she can succeed as a model.
