"Light animation and original poetry in this initiatic journey by Dennis Pies, who is now known as Sky-David." - Daily Psychedelic. Preserved by the Academy Film Archive in 2013.
Starting in the late 1930s, illustrator and experimental animator Douglass Crockwell created a series of short abstract animated films at his home in Glen Falls, New York.
Utilising an apparently new-found obsession with the colour red and reinvigorating some of the circular imagery of A Man and His Dog Out for Air and 69, Breer delves into the very basis of animation to explore how a variety of easily recognisable objects can be portrayed and manipulated differently using pixillation and classically drawn animation.
Burr creates a slow, liminal illusion in black-and-white, switching perspectives and matrices and crescendo-ing in time with Christopher Doulgeris’ portentously pulsating soundtrack.
Lye created a series of scratched images in the 1950s – more regular or geometric than his usual style – to accompany Rock ‘n’ Rye, a track by jazz guitarist Tal Farlow, but he did not get far with the editing.
A young half-breed boy, the son of a hockey player and an Indian woman, is adopted by a Jewish shopkeeper, but finds himself torn between the different cultures with which he comes into contact.
While ill and experiencing some difficulty in completing the editing of this film, Brakhage was reading the Marguerite Young novel, "Miss MacIntosh, My Darling.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Michał is among the soldiers quartered in a village near Lublin. By accident, he goes to the palace and visits the magnificent building, where he meets a widow Maria.
Lauro (Eddie Garcia) is a married man who just loves women. His wife Elena (Gloria Diaz), a beautiful and strong-willed woman is dead set in keeping him from womanizing.
Coast Zone […] explores the use of deep-focus, contrasting background figures (often in motion) with those in the foreground (sometimes in extreme close-up).