Teresa Tyszkiewicz's last film is at the same time her only work realized in this medium in France, where the artist emigrated in 1982. The film features a sequence with the pin process and large-format works realized in this technique, as if the artist was making a peculiar declaration: after making ARTA, Tyszkiewicz devotes herself almost entirely to the performative and painstaking pin process.
The criminalist Hannes Bergemann tries to blackmail the city where he spent his youth. After many years returning to the familiar places of his childhood, he hopes to meet again his old friends, especially Fred, Helmuth and Richard, with whom he had a close childhood friendship.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
When her sister turns up dead, Julia (Linda Jones) tries to convince the cops that a notorious gangster is to blame by going undercover as a prisoner to unearth the only witness to the crime.
A young half-breed boy, the son of a hockey player and an Indian woman, is adopted by a Jewish shopkeeper, but finds himself torn between the different cultures with which he comes into contact.
