Beginning with his work for a certain public television show that featured a big yellow bird, Al Jarnow captured life's scientific minutia and boiled it down for easy consumption between cookie eating monsters and counting vampires. Coupling time-lapse, stop motion, and cell animation with simple objects found in every day life, Jarnow deconstructed the world for an entire generation.
A filmed exercise that follows in the path of Rotating Cubic Grid and Cubits, the predictably titled Cube features cubes of varying shapes and size sliding around and growing into and out of one another, demonstrating how multiple parts can make up a whole.
A companion piece to Cosmic Letter, also produced for 3-2-1 Contact. Jarnow begins at his address in Brooklyn and zooms outward to the farthest reaches of the universe.
A mind-twisting time-lapse beginning on a hill just outside town, doing for the concept of time what Charles and Ray Eames's 1968 film The Powers of Ten did for space.
When her sister turns up dead, Julia (Linda Jones) tries to convince the cops that a notorious gangster is to blame by going undercover as a prisoner to unearth the only witness to the crime.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony.
Stuck in a sexless marriage, a frustrated well-to-do couple agrees to see a female sex therapist. Unfortunately, she only helps escalate the tensions between them.
