Sorry, we can't find the movie trailer you're looking for.
Either a trailer for this movie has not been released yet, or it
was removed following a request from the copyright holder.
Find more trailers
International Releases Dates
France
17 July 1984
Popular movie trailers from 1984
These some of the most viewed trailers for movies released in 1984:
23 May 1984
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
24 June 1984
A group of high-school students deal with everyday life while attending JFK High School in Ventura, California.
04 May 1984
A young man's dreams come true when the sexy new maid seduces him. But she has a secret that leads to trouble.
01 January 1984
Cüneyt Arkin is war veteran, now using lots of of alcohol to forget terrible wartime memories. But some drug mafia bastards forces him to take double barreled shotgun and show them what angry Cüneyt is capable of.
13 June 1984
Commissioner Leon (Miguel Angel Landa) investigates the murder of a woman in a population near the capital.
13 April 1984
While ill and experiencing some difficulty in completing the editing of this film, Brakhage was reading the Marguerite Young novel, "Miss MacIntosh, My Darling.
26 October 1984
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony.
01 January 1984
Either/Or in Chinatown was commissioned by Video Inn and shot in part at the Western Front during Bódy’s 1984 residency.
18 November 1984
The criminalist Hannes Bergemann tries to blackmail the city where he spent his youth. After many years returning to the familiar places of his childhood, he hopes to meet again his old friends, especially Fred, Helmuth and Richard, with whom he had a close childhood friendship.
07 April 1984
Coast Zone […] explores the use of deep-focus, contrasting background figures (often in motion) with those in the foreground (sometimes in extreme close-up).
Comments
Have you watched Cinematon n°342: Jean-Marie Straub yet? What did you think about it?