This film, promoted in Germany by Bravo Magazine to exploit the breakdance craze, actually featured very little breakdancing other than some (presumably second unit) footage of the notorious breakdancer, Mr. Robot.
After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police.
When rebellious street dancer Andie West lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life.
After the death of his younger brother, a troubled 19-year-old street dancer from Los Angeles is able to bypass juvenile hall by enrolling in the historically black, Truth University in Atlanta, Georgia.
At Mr. Rad's Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers — and their moves — two warring friends have to pull together to represent the street.
Think breakdancing died in the eighties? Think again. PLANET B-BOY is a feature-length, theatrical documentary that re-discovers one of the most incredible dance phenomena the world has ever seen.
Cüneyt Arkin is war veteran, now using lots of of alcohol to forget terrible wartime memories. But some drug mafia bastards forces him to take double barreled shotgun and show them what angry Cüneyt is capable of.
While ill and experiencing some difficulty in completing the editing of this film, Brakhage was reading the Marguerite Young novel, "Miss MacIntosh, My Darling.
"Reverse Television" was created in the mid-1980's by video artist Bill Viola. The 30-second portraits were about portraiture and the idea of a person staring at the viewer (as the viewer stares at the TV screen).