Super8 post-punk film by Davorin Marc. Paura in citta does not only display a bold and powerful exploration of form and themes that seem to have occupied Marc throughout his oeuvre, the film is also a straightforward document of the spirit of the times and surroundings of its making.
A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark interiors, landscapes of the city and close-ups of human faces, movements and stillness, the material and the spiritual.
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore.
A young half-breed boy, the son of a hockey player and an Indian woman, is adopted by a Jewish shopkeeper, but finds himself torn between the different cultures with which he comes into contact.
Stuck in a sexless marriage, a frustrated well-to-do couple agrees to see a female sex therapist. Unfortunately, she only helps escalate the tensions between them.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony.
Coast Zone […] explores the use of deep-focus, contrasting background figures (often in motion) with those in the foreground (sometimes in extreme close-up).
