The fury of caged life: 'I wuz framed!' Inconsequent copulation of the straight and the elliptical. Body forms showing their useless beauty, showing that their function is as transmitters of time. Reluctantly, the forms stalk sulkily into light, great nostalgia for the night stillness. The absurdly plinthed and boxed Elgin shards started this work off, form its ossified backbone, also the effects of hard light on soft flesh, sharp lenses freezing meanderings. The grotesque lies in the value broken graven images over your actual throb.
After losing their university jobs, three parapsychologists start a ghost-catching business in New York City and uncover a supernatural threat that could destroy the world.
Coast Zone […] explores the use of deep-focus, contrasting background figures (often in motion) with those in the foreground (sometimes in extreme close-up).
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
Berlin in the early 1930s. Bello is an unemployed young man who loves the underage Frieda. In order to earn a living for both of them, Frieda goes on the streets.
When her sister turns up dead, Julia (Linda Jones) tries to convince the cops that a notorious gangster is to blame by going undercover as a prisoner to unearth the only witness to the crime.
Michał is among the soldiers quartered in a village near Lublin. By accident, he goes to the palace and visits the magnificent building, where he meets a widow Maria.
