When I made this video I was working for London Video Arts. It seemed to me that most of the video art being made was based on structuralism and synthesisers. This did not resonate either with my temperament or my creative expression. This encouraged me to produce an autobiographical work; poetic, simple and sentimental. Kate Meynell performed; there was a slide projector for lighting and a bunch of flowers. This was the 1980,s and I lived in Colville Road in Leytonstone, London in short life artists housing awaiting their destruction for the M11. John Smith lived opposite as did Alison Marchant and around the corner lived Cornelia Parker, Jocelyn Pook and Graeme Miller. We grew up, laughed and created together. Passion rations sound track was made in one evening in one take. Jocelyn improvised for the first time on her viola and Graeme Miller played the out of tune piano and I read the text. This was my most successful video piece of the era; it screened at festivals and on Channel 4.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees – and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony.
The Killing Fields tells the real life story of a friendship between two journalists, an American and a Cambodian, during the bloody Khmer Rouge takeover of Cambodia in 1975, which lead to the death of 2-3 million Cambodians during the next four years, until Pol Pot's regime was toppled by the intervening Vietnamese in 1979.