Ivan Ladislav hides a true chamber of wonders behind the clear, mathematically abstract structure of his films and videos, meticulously compiled rhythmically frame for frame, each work likewise presenting an analysis of the film medium. Concealed therein, culled from deep in the medium’s prehistory, are hermetic parallel universes in whose number ranges and symbolic spaces, Galeta’s precisely constructed film compositions find a formalist anchor.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time.
The film was made in the days of the August 1991 coup in Leningrad, USSR . Respecting the manner of a proprietary parallel cinema with the use of hand-held camera .
Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place.
In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites—gestures, hesitations, stares, off-the-cuff remarks, jokes—details of an ideology of repressed racism.
Cüneyt Arkin is war veteran, now using lots of of alcohol to forget terrible wartime memories. But some drug mafia bastards forces him to take double barreled shotgun and show them what angry Cüneyt is capable of.
Lauro (Eddie Garcia) is a married man who just loves women. His wife Elena (Gloria Diaz), a beautiful and strong-willed woman is dead set in keeping him from womanizing.
After a global war, the seaside kingdom known as the Valley of the Wind remains one of the last strongholds on Earth untouched by a poisonous jungle and the powerful insects that guard it.
Michał is among the soldiers quartered in a village near Lublin. By accident, he goes to the palace and visits the magnificent building, where he meets a widow Maria.
