Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. This is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation.
Based on a character created by Robert E. Howard, this fast-paced, occasionally humorous sequel to Conan the Barbarian features the hero (Arnold Schwarzenegger) as he is commissioned by the evil queen Taramis (Sarah Douglas) to safely escort a teen princess (Olivia D'Abo) and her powerful bodyguard (Wilt Chamberlain) to a far away castle to retrieve the magic Horn of Dagon.
After the Crystal Lake Massacres, Jason is pronounced dead and taken to the hospital morgue, where he is mysteriously revived, allowing his diabolical killing spree to continue at the camp where the gruesome slaughtering began.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees – and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.