The quasi-skilled Kasino tries to install an abstract painting on the wall of Mr. Us Us’ house where he stays. The plaster wall is damaged. Afraid of Mr. Us Us’ wrath, Kasino, Dono, Indro, Marina, and Anita try to lie to Mr. Us Us but he finds out. They are scolded and ordered to repair the wall at once. The comedy continues with the arrival of Dono’s grandfather from the village. Dono has lied to his grandfather that he has become a doctor, but the latter knows his bad habits. Then Anita wants to test her boyfriend’s love, and asks Dono to pretend to be her boyfriend during a party. Unfortunately, Dono’s silly acts annoy Anita. When Indro’s food recipe is entered for a competition, which allows only women, Dono is forced to dress like a woman. Dono wins the competition but the prize is anulled once Dono’s identity is discovered. Dono protests by asking to take home the competition food. The committee refuses and a cake-throwing war ensues.
Three poor students help Mr. Broto who is a victim of a hit and run accident. Apparently, Mr. Broto has a treasure map and this treasure quest makes the trio enter the forest, climb hills and cross rivers.
Mown down and crippled by a fleet of tuk-tuks, police officer Dono (Sardono) is given experimental bionic limbs and, along with his incompetent colleagues, sent to rescue a kidnapped nightclub singer.
Dono (Wahyu Sardono), Kasino (Kasino Hadiwibowo) and Indro (Indrojoyo Kusumo) get lost and end up on an island where the only occupants are beautiful young women, except for the tribal chief (Tile) and his three obese daughters.
Dono, who is living with his two friends, Kasino and Indro and their respective girlfriends, Kristine (Kiki Fatmala) and Bella (Diana Khan), frequently feels jealous because his has no girlfriend of his own.
The Warkop trio — Dono, Kasino, and Indro — are dragged into the most daring mission yet: disguise themselves as Indonesian national team players in a World Cup qualifier to sabotage a match in the fictional country of West Korea and stop a conspiracy that could trigger a nuclear war.
Dono, Kasino, and Indro returned to action in the midst of the hustle and bustle of Jakarta. They once again acted as personnels of a private institution named CHIIPS.
The Warkop DKI team - Dono, Kasino, Indro – returns with two female friends, Winny and Anita, to manage an ugly old hotel, and transform it into a proper hotel.
When they're not romancing their girls, the Warkop comedy trio forms a team to help people in need, which includes solving a child kidnapping case and finding themselves facing off against ghosts and the kuntilanak (the Indonesian version of a banshee).
Not unlike the other Warung Kopi (Warkop) comedies featuring (Dono, Kasino and Indro), this film is also made up of a series of comedic skits featuring plenty of pretty faces and beautiful bodies.
Alternative movies trailers for Tahu Diri Dong
More movie trailers, teasers, and clips from Tahu Diri Dong:
Warkop DKI Tahu Diri Dong - Mau Lihat Ga?
Warkop DKI Tahu Diri Donk Menceritakan tentang Kasino yang melihat pemandangan yang bagus.
Warkop DKI Tahu Diri Dong - Siap Komandan
Warkop DKI Tahu Diri Dong Klip ini menceritakan tentang Indro yang saat pulang ke rumah menemukan jika pintu rumah tidak terkunci.
Popular movie trailers from 1984
These some of the most viewed trailers for movies released in 1984:
Berlin in the early 1930s. Bello is an unemployed young man who loves the underage Frieda. In order to earn a living for both of them, Frieda goes on the streets.
A dedicated social worker joins forces with a group of senior citizens fighting City Hall to prevent the demolition of their apartment building and falls for the man she meets on a blind date at a punk rock club.
"Reverse Television" was created in the mid-1980's by video artist Bill Viola. The 30-second portraits were about portraiture and the idea of a person staring at the viewer (as the viewer stares at the TV screen).
A young half-breed boy, the son of a hockey player and an Indian woman, is adopted by a Jewish shopkeeper, but finds himself torn between the different cultures with which he comes into contact.
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