This is Hiroaki Mōri’s fourth directorial work. Although the premise feels impossible in today’s age of mobile phones, it is a thriller leaning toward horror, portraying a psychologically disturbed individual in an everyday setting.
A trainee has dream is to become a nurse and live a comfortable life. But that dream turns into a nightmare when she becomes the object of obsession for the sex crazed son of a major shareholder at the hospital where she works.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
A young half-breed boy, the son of a hockey player and an Indian woman, is adopted by a Jewish shopkeeper, but finds himself torn between the different cultures with which he comes into contact.
Berlin in the early 1930s. Bello is an unemployed young man who loves the underage Frieda. In order to earn a living for both of them, Frieda goes on the streets.
Lauro (Eddie Garcia) is a married man who just loves women. His wife Elena (Gloria Diaz), a beautiful and strong-willed woman is dead set in keeping him from womanizing.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony.
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Have you watched Telephone yet? What did you think about it?