This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul.
Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten.
The conversations are punctuated by clips of the film.
After a routine partial hip replacement operation leaves his mother in a coma with permanent brain damage, what starts as a son's video diary becomes a citizen's investigation into the future of American health care.
The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books.
Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters.
Follows veterans and active-duty service members from varied backgrounds who come together to combat their traumas through the written word in a USO-sponsored arts workshop at Walter Reed National Military Hospital.
A journey into the mind of French actor and director Jean-Pierre Mocky (1929-2019), author of films both playful and profound, of an impressive richness.
Since 1922, Boulogne-Billancourt cinema studios have welcomed the greatest actors, directors and technicians of French cinema and have given birth to many masterpieces.
This year, Michel Audiard would have turned 100. To celebrate the life and work of the French screenwriter and director, Gaumont opens their vault and reveals some unknown information on the legendary witty dialogues writer.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony.
A dedicated social worker joins forces with a group of senior citizens fighting City Hall to prevent the demolition of their apartment building and falls for the man she meets on a blind date at a punk rock club.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
While ill and experiencing some difficulty in completing the editing of this film, Brakhage was reading the Marguerite Young novel, "Miss MacIntosh, My Darling.
Berlin in the early 1930s. Bello is an unemployed young man who loves the underage Frieda. In order to earn a living for both of them, Frieda goes on the streets.
