A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
Famous for combining extremely simple line drawings with biting humour she lays bare the frustrations encountered by ordinary women in their daily lives.
Hiraeth is a heart-breaking film that explores one woman's grief at the edge of the solar system. Amber Jones, a British astronaut on the first manned mission to Europa.
It's Bobo's birthday, but sadly no one showed up to his party. A big game hunter figures it's the perfect opportunity to capture the fearsome monster—by throwing Bobo the birthday party of his dreams.
Part of Chris Marker’s Three Video Haikus series, Tchaïka is a brief visual meditation showing an overexposed view of a bridge and the river flowing beneath it.
A young half-breed boy, the son of a hockey player and an Indian woman, is adopted by a Jewish shopkeeper, but finds himself torn between the different cultures with which he comes into contact.
Biopic of Saturday Review editor and political journalist Norman Cousins who developed and promoted a self-made health therapy consisting of intake of large quantities of vitamin C and making oneself laugh as much as possible.
When her sister turns up dead, Julia (Linda Jones) tries to convince the cops that a notorious gangster is to blame by going undercover as a prisoner to unearth the only witness to the crime.
After a global war, the seaside kingdom known as the Valley of the Wind remains one of the last strongholds on Earth untouched by a poisonous jungle and the powerful insects that guard it.
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