In this tribute to James Joyce, Fionnula Flanagan gives a tour-de-force performance as a half-dozen or so women in Joyce's real and fictional worlds. When she portrays his wife Nora remembering their time together, Flanagan captures the era and the author in lyrical detail. As Sylvia Beach, the woman who first published Ulysses, new dimensions concerning the importance of Nora in Joyce's literary visions of women emerge, and when Flanagan interprets Joyce characters like Molly Bloom or a washerwoman from Finnegan's Wake, the beauty of Joyce's language shines through the melodious words.
Though young Jane Austen's financially strapped parents expect her to marry the nephew of wealthy Lady Gresham, Jane herself knows that such a union will destroy her creativity and sense of self-worth.
A small-time Belfast thief, Gerry Conlon, is wrongly convicted of an IRA bombing in London, along with his father and friends, and spends 15 years in prison fighting to prove his innocence.
A vacuum repairman moonlights as a street musician and hopes for his big break. One day a Czech immigrant, who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
Mick and Kev, teen Irish lads, are at the shore, throwing rocks at empty cans, drinking cider. Mick's the pushy one, engaging Kev in a game of mumbly peg, his hand on top of Kev's, fingers splayed.
Peter and Bozena are studying medicine, they love each other and want to be together. The girl, after a dramatic experience, breaks off contact with her parents and moves out.
A filmed version of drive-in movie critic Joe Bob Briggs' one man show, "An Evening With Joe Bob Briggs," featuring stories, comedy and music, performed in front of a live audience.
This literary film is imbued with the disenchantment of Spanish exiles who left their homes to protest Franco's fascist regime and then returned after its demise to find that democracy had not instilled either ethics or deep motivation in government leaders.
A boy sees his parents gunned by criminals due to unpaid debts. Twenty years later, the boy, Mark Quinn, has become a hard-hitting cop, the kind that hates criminal scum, bending the rules to catch those criminals and drive them to despair.
