A glimpse of the pre-history of cinema starting with the projections of Etienne Gaspard Robert (also known as M. Robertson), who used magic lanterns and other optical illusions to develop the genre of the Gothic phantasmagoria in the late eighteenth century.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history.
Documentary following the career of Brooklyn-born photographer Jamel Shabazz, who captured hip-hop in its infancy long before it became a worldwide phenomenon.
Documentary about Finnish film theaters - about their past, disappearance and future. And at the same time universal story how cinema is undeniably connected with life.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
This documentary explores the work of Robert Doisneau, and the subjects his photographs have addressed, from the workers of the Renault factories in Billancourt to Parisian lovers, from the crowds of the Liberation to the children of Gentilly, from the unknown to the famous.
Province of Burgos, northern Spain, October 2015. A group of fans undertake the titanic task of restoring the location of the last scene of The Good, the Bad and the Ugly, the mythical spaghetti western directed by Italian filmmaker Sergio Leone in 1966.
A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.
Popular movie trailers from 1985
These some of the most viewed trailers for movies released in 1985:
A boy sees his parents gunned by criminals due to unpaid debts. Twenty years later, the boy, Mark Quinn, has become a hard-hitting cop, the kind that hates criminal scum, bending the rules to catch those criminals and drive them to despair.
A boy receives a Velveteen Rabbit for Christmas. The Velveteen Rabbit is snubbed by other more expensive or mechanical toys, the latter of which fancy themselves real.
This literary film is imbued with the disenchantment of Spanish exiles who left their homes to protest Franco's fascist regime and then returned after its demise to find that democracy had not instilled either ethics or deep motivation in government leaders.
Comments
Have you watched Thank You, Mr. Robertson yet? What did you think about it?