This television essay from 1985 was written by Leonard Bernstein to commemorate the 125th anniversary of Gustav Mahler's birth. Recorded in Israel, Vienna and later in London, it is punctuated by biographical interludes and illustrated by musical examples drawn from the cycle of Mahler's works recorded by Bernstein. Bernstein talks, plays and conducts various orchestras (Israel Philharmonic Orchestra, London Philharmonic Orchestra, Wiener Philharmoniker) and soloists (Janet Baker, Christa Ludwig, Edith Mathis, Lucia Popp, Walton Groenroos) in performances spanning 17 years. Leonard Bernstein also examines the roots of Gustav Mahler's inspiration. The programme also features music from the nine symphonies, 'The Song of the Earth' and the 'Wunderhorn Cycle'.
In 2005, the Staatsoper Berlin and its orchestra, the Staatskapelle Berlin under musical director Daniel Barenboim, celebrated a series of events to celebrate the 80th birthday of French conductor and composer Pierre Boulez.
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
“It would be hard to find anything greater, more significant or more moving anywhere in musical life today: total harmony of mind and heart, poetry and outcry, fear and consolation, knowing and feeling,” declared the Berne paper ‘Der Bund’ after this stunning performance of Mahler’s ‘Resurrection’ Symphony in August 2003 by the newly founded Lucerne Festival Orchestra.
The charismatic and inspiring Claudio Abbado and the magnificent mezzo-soprano Magdalena Kožená, with the Lucerne Festival Orchestra, hold the audience spellbound in this live recording from Lucerne Festival in Summer.
Margherita Vicario talks about the making of “GLORIA!” Between departments, preparation, shooting and post-production, straight to the BERLIN 2024 festival.
The charismatic and inspiring Claudio Abbado and the mesmerising young pianist Yuja Wang, with the Lucerne Festival Orchestra, hold the audience spellbound in this opening concert of the 2009 Lucerne Festival.
A boy receives a Velveteen Rabbit for Christmas. The Velveteen Rabbit is snubbed by other more expensive or mechanical toys, the latter of which fancy themselves real.
A boy sees his parents gunned by criminals due to unpaid debts. Twenty years later, the boy, Mark Quinn, has become a hard-hitting cop, the kind that hates criminal scum, bending the rules to catch those criminals and drive them to despair.
Exit is a 1985 Italian short film directed by Pino Quartullo and Stefano Reali. It is set in the future where, on 12 July 3503, a research team explores remnants of humans past and find themselves in a very unusual and strange place: a movie theater.
Clue finds six colorful dinner guests gathered at the mansion of their host, Mr. Boddy -- who turns up dead after his secret is exposed: He was blackmailing all of them.
Ginny Grainger, a young mother, rediscovers the joy and beauty of Christmas, thanks to the unshakable faith of her six-year-old daughter Abbie and Gideon, Ginny's very own guardian angel.
Rocky Balboa holds the world heavyweight championship, but a new challenger has stepped forward: Drago, a six-foot-four, 261-pound fighter who has the backing of the Soviet Union.
A filmed version of drive-in movie critic Joe Bob Briggs' one man show, "An Evening With Joe Bob Briggs," featuring stories, comedy and music, performed in front of a live audience.
"Barbara Hammer's Optic Nerve is a powerful personal reflection on family and aging. Hammer employs filmed footage which, through optical printing and editing, is layered and manipulated to create a compelling meditation on her visit to her grandmother in a nursing home.
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Have you watched The Little Drummer Boy: An Essay on Mahler by Leonard Bernstein yet? What did you think about it?
