Jules Massanet's lyrical opera is transformed into a superb film production by Petr Weigl, shot on location in Prague, with music conducted by Libor Pesek. First produced by the Vienna Opera in February 1892, "Werther" rapidly confirmed Massanet's position on the French opera scene and achieved enormous popularity outside France, notably in Italy, America and England. The tragic story tells of Werther's intense passion for Charlotte, who has married his best friend, Albert, fulfilling a pledge to her now deceased mother. But Werther's letters of love bring Charlotte to his side when he promises to take his own life.
The three main soloists have voices on a scale that can compete with these flashy production values – White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism.
The story of Romeo and Juliet, who pay for their passion with their lives, has been interpreted in the widest variety of literary and musical genres ever since the Renaissance.
Ghiaurov, Freni, and Bumbry were great voices in their time, and they are still effective here -- good enough musicians to put over the quite heavy vocal and expressive demands of their roles.
It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later).
Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy.
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly.
At the end of 2013, the year that marked the 50th anniversary of Francis Poulenc’s death, his gripping and moving operatic masterpiece, Dialogues des Carmélites was staged in Paris by director Olivier Py with a cast featuring some of France’s finest female singers – Patricia Petitbon, Véronique Gens, Sandrine Piau and Sophie Koch – under the baton of Jérémie Rohrer.
For the first time ever, you can enjoy the full Squonk experience in the comfort of your home! Watch the outdoor spectacle that the Pittsburgh Post-Gazette called one of the most memorable musical moments of 2008 -"The visuals were outstanding and Squonk's progressive-rock was transcendent.
Alternative movies trailers for Werther
More movie trailers, teasers, and clips from Werther:
Die Leiden des jungen Werthers trailer regie gramss
Die Leiden des jungen Werthers - Theaterstück Regie: Franziska Marie Gramss.
Theater Neumarkt: WERTHER
Gesang an die Nacht Gebrüll gegen Kummer Nach Goethe mit Roland Barthes Regie: Laura Koerfer Trailer: Ahmed Mohsen.
Conductor: Jean-Claude Casadesus Director Sets & Costumes: Hugo de Ana with: Laurence Dale (Werther) Béatrice Uria-Monzon (Charlotte) René Massis ...
Rock dein Dorf'' LJ Werther
Hier der Videobeitrag zu "Rock dein Dorf" 2017 der Landjugend Werther in dem wir euch beweisen dass wir das coolste Dorf sind! :) Das Video ist ein kleiner ...
COLD WAVE- BLIND WOMAN BY WERTHER 2004- demo
duo cold wave italiano- biografia sintetica Werther odora un po' di sangue ed un po' d'acqua è la storia di un incontro itinerante e di una schizofrenica dualità ...
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