his three-part miniseries begins with elderly Lady Slane (Wendy Hiller) sitting watchfully by the deathbed of her husband. Tended by her equally aged French maid Genoux (Eileen Way), who has served her faithfully for a lifetime, Lady Slane deals with a succession of advice from her large flock of middle-aged children. The family is chagrined by, but honors, her choice to live a modest country retirement at some distance, in Hampstead Heath. Lady Slane competently comes to terms to lease and restore a crumbling house, aided by an aging land agent Gervase Bucktrout (Maurice Denham). Once settled, an acquaintance from 50 years past, Mr. Fitzgeorge (Harry Andrews), visits the cottage to rekindle memories of their brief, deep, but unfulfilled brush as soul-mates in colonial India when Lady Slane was a devoted young wife and mother. Great-granddaughter Deborah (Jane Snowden), who has been trapped by a socially desirable but passionless engagement, regularly visits to confide and seek wisdom.
At the turn of the sixteenth century, Michelangelo (Mark Frankel), Raphael (Andrea Prodan), and Leonardo Da Vinci (John Glover) create their masterpieces, while dealing with religious persecution, political turmoil, and the discovery of America.
Based on a true story, this film depicts the life of Ted Bundy, the serial killer. In 1974, after having murdered several young women, he leaves Seattle for Utah, where he is a law student and where other girls disappear.
The Herlihys are a working class family from Chicago whose three children take wildly divergent paths: Brian joins the Marines right out of High School and goes to Vietnam, Michael becomes involved in the civil rights movement and after campaigning for Bobby Kennedy and Eugene McCarthy becomes involved in radical politics, and Katie gets pregnant, moves to San Francisco and joins a hippie commune.
Beate Klarsfeld, a German Protestant housewife, who, with the help of her Jewish law-student husband, Serge, begins an unrelenting campaign after World War II to bring Nazi war criminals to justice.
Maria since childhood was directed by her father to become a nun. As a result of her father's cultivation of a rigid appreciation, Maria always feels awkward, including the delinquency that is common for a girl.
