Mahir and Gülsen's daughter Çiğdem and Basri's son Uğur are married and expecting a child. They invite their families over for dinner to share the good news. After dinner, Çiğdem and Uğur announce the news, and everyone is happy except Mahir. Gülsen wants to bring Çiğdem to their home to take care of her during her pregnancy, but Mahir objects. The two families meet again at the children's home. Basri wants to build a house for his children and have them live close to him, but Mahir objects to Gülsen's insistence. However, the children refuse because they have already moved into a house through a cooperative.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
The weekly brass band rehearsal is an enjoyable, light-hearted occasion. Then Mathew, the conductor, introduces James, a newcomer to the village, who is an enthusiastic bandsman from the north, where they do these things properly.
In this film, Humbert is on the trail of his own history. Wolfsgrub is the name of the house where Humbert's mother lives, and though she is getting on in years, she becomes young again as she answers her son's questions.
After high school slacker Ferris Bueller successfully fakes an illness in order to skip school for the day, he goes on a series of adventures throughout Chicago with his girlfriend Sloane and best friend Cameron, all the while trying to outwit his wily school principal and fed-up sister.
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
