Mahir and Gülsen's daughter Çiğdem and Basri's son Uğur are married and expecting a child. They invite their families over for dinner to share the good news. After dinner, Çiğdem and Uğur announce the news, and everyone is happy except Mahir. Gülsen wants to bring Çiğdem to their home to take care of her during her pregnancy, but Mahir objects. The two families meet again at the children's home. Basri wants to build a house for his children and have them live close to him, but Mahir objects to Gülsen's insistence. However, the children refuse because they have already moved into a house through a cooperative.
Maria since childhood was directed by her father to become a nun. As a result of her father's cultivation of a rigid appreciation, Maria always feels awkward, including the delinquency that is common for a girl.
Beate Klarsfeld, a German Protestant housewife, who, with the help of her Jewish law-student husband, Serge, begins an unrelenting campaign after World War II to bring Nazi war criminals to justice.
Writes Viola: "Sodium Vapor was recorded over a period of several weeks in the hours between one and five in the morning on the streets of an industrial area in lower Manhattan.
Playwright and director Nils Wijn brings his relationship issues to the stage. In his play "The Whore, the Virgin, and the Dying Man," he has his girlfriend Tessa appear in revealing lingerie and takes her to a real prostitute for some practical lessons.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
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