The NSA Chicago Blow-Out contest video included footage of Tony Hawk, Steve Caballero, Lance Mountain, Monty Nolder, Micke Alba, Ken Park, Mark Rogowski, Christian Hosoi, Kevin Staab, Mike McGill, Rodney Mullen, Jeff Grosso, Chris Miller, Jeff Kendall, Steve Steadham, Steve Schneer, Rob Roskopp, Tom Groholski, John Gibson, Rick "Spidey" Demontrond, Jim Gray, and more.
Jake, full of anger after his father's death, is just starting to find a place for himself at his new Orlando high school - until Ryan, head of an underground MMA fight club, picks Jake out as a prime opponent.
Lincoln Hawk a hard-luck big-rig trucker takes us under the glaring Las Vegas lights for all the boisterous action of the World Armwrestling Championship.
An Orange County teenager's carefree life of ditching class and skateboarding abandoned pools comes to a screeching halt when someone close to him dies.
After enduring eleven years as one of the most dominant and controversial players in a professional lacrosse league that was anything but professional, Paul Rabil decides to take the game into his own hands.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Plumber Martin and his younger colleague Frank are on call on Christmas Eve of all days. Frank's girlfriend Regina, who is expecting her first baby at any moment, is anything but thrilled.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.
For Lieutenant Pete 'Maverick' Mitchell and his friend and co-pilot Nick 'Goose' Bradshaw, being accepted into an elite training school for fighter pilots is a dream come true.
Something very common in our days, an adolescent who does not find communication with her mother or stepfather falls into a depression that drags her down paths of difficult return.
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
Georgia Benfield, at her wit's end, loses control and begins physically abusing her elderly mother, just as Georgia had been abused herself as a child.
