"Made at the same time as Koyaanisqatsi, Concern for the City is a very different film. I feel that the sense of place which emerges from the film, sometimes evoking the island as the early Dutch explorers must have envountered its material presence within an envelope of mist and light, is different from the generalization of citiness which Koyaanisqatsi evokes" Patrick Clancy
Writes Viola: "Sodium Vapor was recorded over a period of several weeks in the hours between one and five in the morning on the streets of an industrial area in lower Manhattan.
Something very common in our days, an adolescent who does not find communication with her mother or stepfather falls into a depression that drags her down paths of difficult return.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
What are Ilona Herfurt and her boyfriend Dietmar Freistrath doing in the old mine? Where does the money come from that her son Jimmy finds under the newspaper? Where have the unique and intricately carved works of art, often passed down for generations, disappeared to from the village in the Ore Mountains? What do the carver Gerlach and his foster daughter llona have to do with it? Questions upon questions that are burning under the detective's nails.
Maria since childhood was directed by her father to become a nun. As a result of her father's cultivation of a rigid appreciation, Maria always feels awkward, including the delinquency that is common for a girl.
