In a routine look at what it means to finally leave adolescence behind — even in one’s mature years — this series of mood swings and sequences focuses on two grown men. Francois (Jean Francois Stevenin, the director) and Leo (Yves Alonso) are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene (Carole Bouquet) comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light.
The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace.
The friendship of a group of young friends struggling with teen sex, drugs, and work is jeopardized by a romantic interest which may turn pals into bitter rivals.
With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home.
Seven childhood friends and members of a high school club face personal setbacks while preparing for their final live performance, only to confront the shocking news that a massive meteor will destroy Earth in a month, forcing them to navigate friendship, challenges, and unexpected events before the world ends.
While out to avoid spending time with her narcissistic and promiscuous mother, sixteen-year-old Jo has a brief affair that leaves her pregnant and abandoned.
When Carmine “The Beans” Pasquale is nabbed by the FBI, he decides to testify against his mafia boss and go into the Witness Relocation Program with his wife Gina and son Vincent.
Georgia Benfield, at her wit's end, loses control and begins physically abusing her elderly mother, just as Georgia had been abused herself as a child.
In this film, Humbert is on the trail of his own history. Wolfsgrub is the name of the house where Humbert's mother lives, and though she is getting on in years, she becomes young again as she answers her son's questions.
Playwright and director Nils Wijn brings his relationship issues to the stage. In his play "The Whore, the Virgin, and the Dying Man," he has his girlfriend Tessa appear in revealing lingerie and takes her to a real prostitute for some practical lessons.
Jessica's promising debut as a young artist is shattered by a sudden and violent death. She escapes into a restless succession of journeys whose encounters along the way bring humour, some comfort, but also danger.
The true story of a pair of college students who attempted a double suicide to end their doomed romance becomes fare for legendary pinku-eiga director Hisayasu Sato in this feature.
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Have you watched Double Gentlemen yet? What did you think about it?
