Teenagers Kannan (Sangeeth) and Radhika (Sonia Nair) are cousins and childhood playmates. They meet again at their ancestral family house in the village during the holiday season. Kannan develops feelings for Radhika; but she is conflicted on how to act on the approaches by him.
Two teenage girls discover that mermaids really do exist after a violent storm washes one ashore. The mermaid, a sassy creature named Aquamarine, is determined to prove to her father that real love exists, and enlists the girls' help in winning the heart of a handsome lifeguard.
Alma, a twelve-year-old girl, is in love with her best girlfriend. In the midst of her sexual awakening, she will experience new sensations that will also bring along disappointment.
New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.
Writes Viola: "Sodium Vapor was recorded over a period of several weeks in the hours between one and five in the morning on the streets of an industrial area in lower Manhattan.
In this film, Humbert is on the trail of his own history. Wolfsgrub is the name of the house where Humbert's mother lives, and though she is getting on in years, she becomes young again as she answers her son's questions.
Chanakya Shapadham is action oriented movie in which, Chanakya (Chiranjeevi), a Customs officer at airport is the son of a Military Major (Kaikala Satyanarayana) who is about to be awarded Padmasree for his services.
Georgia Benfield, at her wit's end, loses control and begins physically abusing her elderly mother, just as Georgia had been abused herself as a child.
Something very common in our days, an adolescent who does not find communication with her mother or stepfather falls into a depression that drags her down paths of difficult return.
Nathaniel Box, a self-styled prophet, along with his daughter Barbara and her fiancé Curtis, holds a night time press conference in an underground car park, devoutly believing that "a new Messiah for a New Age" will appear there before dawn - and their wait does not go unrewarded.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.