"We Were Not Made For This World” is a existential sci-fi short film directed by Los Angeles-based filmmaker Colin West McDonald, based on a comic of the same name by cartoonist Paul Hornschemeier that features a rapidly declining robot wandering aimlessly through the desert.
On the night of their 20th anniversary, Emelia discovers a deeply hidden secret about her husband’s identity through a pair of VR glasses, buried inside of him since before the two met.
Burr creates a slow, liminal illusion in black-and-white, switching perspectives and matrices and crescendo-ing in time with Christopher Doulgeris’ portentously pulsating soundtrack.
A sequel to the 2011 "Going to the Store" and 2013 "Late for Meeting" animated short films, which feature a silly, disjointed journey in the traditions of dadaism and surreal humor in film.
The imagined perpetrator in a famously unsolved true-crime case, “Who Put Bella Down the Wych Elm”, is confronted about his past by an unearthly Bison in this Stop-Motion animated short film.
While all the inhabitants of a small rural village are working hard to survive the harsh daily routine, the mayor and his wife are gorging themselves to death.
Sewage worker Roy Dreary and an assortment of odd characters meet up with some cute and cuddly extraterrestrials traveling to earth in a giant pie in the sky.
Alternative movies trailers for Frankenstein Punk
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final de Frankenstein Punk 1986 Cao Hamburguer e Eliana Fonseca
FRANKENSTEIN PUNK (1986) é um filme de Cao Hamburger e Eliana Fonseca.
Popular movie trailers from 1986
These some of the most viewed trailers for movies released in 1986:
In this film, Humbert is on the trail of his own history. Wolfsgrub is the name of the house where Humbert's mother lives, and though she is getting on in years, she becomes young again as she answers her son's questions.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
Playwright and director Nils Wijn brings his relationship issues to the stage. In his play "The Whore, the Virgin, and the Dying Man," he has his girlfriend Tessa appear in revealing lingerie and takes her to a real prostitute for some practical lessons.
Beate Klarsfeld, a German Protestant housewife, who, with the help of her Jewish law-student husband, Serge, begins an unrelenting campaign after World War II to bring Nazi war criminals to justice.