Madoka Sawa, a one-woman hostess, faces off against Akira, who is competing for the most popular hostess spot at a gay bar in Shinjuku. Akira steals Kusumi, who was her sponsor, and ends up opening a "Night Park" in Shinjuku, but Madoka falls into a trap set by Akira and is fired from the store. In despair, he vows revenge.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
Under a full moon near a highway bridge a woman has sex with her boyfriend during her period. Unfortunately the boyfriend is accidentally killed by a flying pop bottle from a passing delivery truck.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
Naomi Tani plays bar-owner Aki, whose entire world appears to be crumbing whenever she discovers her husband is having an affair along with her own mama.
The extreme play of the wild woman "Kalbi," who seeks sex just by instinct like an animal. The climax of lust that unfolds not only on the bed, but also on the street without worrying about other people's eyes, is truly the most powerful of the series.
A female hair stylist is torn between two lovers as she waits for treatment in a gynecological ward. She meets the other patients who are there and gets to know their stories.
Maria since childhood was directed by her father to become a nun. As a result of her father's cultivation of a rigid appreciation, Maria always feels awkward, including the delinquency that is common for a girl.
Playwright and director Nils Wijn brings his relationship issues to the stage. In his play "The Whore, the Virgin, and the Dying Man," he has his girlfriend Tessa appear in revealing lingerie and takes her to a real prostitute for some practical lessons.
In this film, Humbert is on the trail of his own history. Wolfsgrub is the name of the house where Humbert's mother lives, and though she is getting on in years, she becomes young again as she answers her son's questions.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
