First titled Jazz Punk, this work is based on a series of drawings I made over a number of years of heads inspired in part by punk styles. These were scanned into the Atari and manipulated through the programme in various ways. The music is generated by the same programme and is intended to evoke an atmosphere of a jazz/punk night club. In the original computer version I played part of the sound live from a keyboard into the computer (though the MIDI port). This input slightly modified, interactively, the development of the programme. The tape version was edited from one of the ‘performances’.
Jessica's promising debut as a young artist is shattered by a sudden and violent death. She escapes into a restless succession of journeys whose encounters along the way bring humour, some comfort, but also danger.
The true story of a pair of college students who attempted a double suicide to end their doomed romance becomes fare for legendary pinku-eiga director Hisayasu Sato in this feature.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.
In 1914, sixteen year old Roger returned home from boarding school during vacation to find his puberty hit hard in a house filled with beautiful women.
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Have you watched Heads I Win Tails You Lose yet? What did you think about it?
