Japanese husband and wife muralists Iri and Toshi Maruki are known for their depictions of the destruction of Hiroshima and Nagasaki. Their collaborative relationship is unique: one paints a painfully detailed vision of the victims of the atomic blast; the other conceals the carefully delineated brush strokes with a grey-black ink “wash.” The first artist restates the specifics of the image; the second re-conceals. Through the repetition of this process, the work emerges.
Plumber Martin and his younger colleague Frank are on call on Christmas Eve of all days. Frank's girlfriend Regina, who is expecting her first baby at any moment, is anything but thrilled.
The weekly brass band rehearsal is an enjoyable, light-hearted occasion. Then Mathew, the conductor, introduces James, a newcomer to the village, who is an enthusiastic bandsman from the north, where they do these things properly.
What are Ilona Herfurt and her boyfriend Dietmar Freistrath doing in the old mine? Where does the money come from that her son Jimmy finds under the newspaper? Where have the unique and intricately carved works of art, often passed down for generations, disappeared to from the village in the Ore Mountains? What do the carver Gerlach and his foster daughter llona have to do with it? Questions upon questions that are burning under the detective's nails.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
