A fairy tale about the adventures of a brave, resourceful man, about his encounter with lightning, a thunderstorm, and a storm. They help him get rain and save the harvest from drought.
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes.
Living in a strict and very regulated world, a man has to hide his homosexuality and dance, dance, until the moment he finds the strength to face these rules and reveal who he really is.
A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
Playwright and director Nils Wijn brings his relationship issues to the stage. In his play "The Whore, the Virgin, and the Dying Man," he has his girlfriend Tessa appear in revealing lingerie and takes her to a real prostitute for some practical lessons.
On March 16, 1978, far-left terrorists of the Red Brigades kidnap Aldo Moro, leader of the Christian Democracy, the ruling party in Italy since the end of WWII.
Georgia Benfield, at her wit's end, loses control and begins physically abusing her elderly mother, just as Georgia had been abused herself as a child.
25 years ago a mother and father went missing and were presumed murdered on Wolfe Island and their bodies never found, and now a tabloid journalist and a woman who may have a connection to the Island are out to find out Whodunit?
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
Comments
Have you watched How the Old Man Went for the Rain yet? What did you think about it?