Autumn 1941. In a Nazi POW camp near Kyiev, a person claiming to be a doctor appears. He convinced Germans to set up a hospital. Raising no suspicions in Germans, he supplied prisoners with weapons and helped them to escape.
The film tells about the childhood of Yuri Gagarin, about that time of life, which, in his own words, played an important role in shaping his character: war, the occupation of their villages by the Germans, famine, the theft of the elder brother and sister to Germany, the expulsion of the Nazis from Smolensk, moving family in the city of Gzhatsk.
When barbarian hordes threaten her homeland, the brave and cunning Mulan disguises herself as a male soldier to swell the ranks in her aging father's stead.
Before the attack on the village, captured by the Nazis, the commander decides to carry out a distraction — a concert of the front-line brigade of artists.
In June 1941, the Extraordinary Defense Headquarters of Leningrad, under the leadership of Zhdanov and Voroshilov, decided to build the Luga defensive line.
Plumber Martin and his younger colleague Frank are on call on Christmas Eve of all days. Frank's girlfriend Regina, who is expecting her first baby at any moment, is anything but thrilled.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.
25 years ago a mother and father went missing and were presumed murdered on Wolfe Island and their bodies never found, and now a tabloid journalist and a woman who may have a connection to the Island are out to find out Whodunit?