This comedy-drama by first-time director and scripter Jean-Luc Trotignant details the exploits of a crass, low-life family. Achille Pinglard (Jean-Luc Bideau) is a factory foreman and his wife Ginette (Michele Brousse) works in a porno theater. Together, they are driving their daughter up the wall. She vents her feelings in her private diary, which her parents often expropriate for their own use. Meanwhile, the son in the family finds himself without a room after his parents rent it out to someone else, and the grandmother is a demented alcoholic invalid.
Beate Klarsfeld, a German Protestant housewife, who, with the help of her Jewish law-student husband, Serge, begins an unrelenting campaign after World War II to bring Nazi war criminals to justice.
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
25 years ago a mother and father went missing and were presumed murdered on Wolfe Island and their bodies never found, and now a tabloid journalist and a woman who may have a connection to the Island are out to find out Whodunit?
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
Georgia Benfield, at her wit's end, loses control and begins physically abusing her elderly mother, just as Georgia had been abused herself as a child.
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Have you watched Le bonheur a encore frappé yet? What did you think about it?
