A cameraless film. The gate of the Super 8 cartridge was covered with one or two 16mm frames, cut to fit the width of the Super 8 strip. The frames represented J.C. on the cross (the crucifix). The film was then advanced and exposed manually using the red and green LED lights of a television set.
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
Georgia Benfield, at her wit's end, loses control and begins physically abusing her elderly mother, just as Georgia had been abused herself as a child.
Something very common in our days, an adolescent who does not find communication with her mother or stepfather falls into a depression that drags her down paths of difficult return.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
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Have you watched Le Calvaire yet? What did you think about it?