L'empire de medor is a satirical voyage of discovery through the universe of the dog lover. By systematically scrutinising the industry that capitalises on the love for man's best friend, Moullet has made an absurdist film that shows how the love of animals has become a kind of surrogate religion for many people. He takes us to canine beauticians and beauty contests, and explores the field from dried dog food to advanced super-duper pooper-scoopers. By showing in great detail all those gadgets and gimmicks to make the lives of pets as agreeable as possible, Moullet vents his barely concealed criticism of consumer society.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
For Lieutenant Pete 'Maverick' Mitchell and his friend and co-pilot Nick 'Goose' Bradshaw, being accepted into an elite training school for fighter pilots is a dream come true.
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
Beate Klarsfeld, a German Protestant housewife, who, with the help of her Jewish law-student husband, Serge, begins an unrelenting campaign after World War II to bring Nazi war criminals to justice.
