A lesbian art film by the Swiss filmmaker Cleo Übelmann, released in 1986. In black and white, Mano Destra (Italian for "right hand") is a study of erotic objectification which depicts one woman tying up another woman in a lengthy act of consensual bondage.
Something very common in our days, an adolescent who does not find communication with her mother or stepfather falls into a depression that drags her down paths of difficult return.
Milly and Louis, and their recently-widowed mom, Charlene, move to a new neighborhood. Once there, they all deal with a variety of personal problems, but Milly finds a friend in Eric, her autistic next door neighbor.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
In this film, Humbert is on the trail of his own history. Wolfsgrub is the name of the house where Humbert's mother lives, and though she is getting on in years, she becomes young again as she answers her son's questions.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.
Frustrated with babysitting on yet another weekend night, Sarah, a teenager with an active imagination, summons the Goblins to take her baby stepbrother away.
Jessica's promising debut as a young artist is shattered by a sudden and violent death. She escapes into a restless succession of journeys whose encounters along the way bring humour, some comfort, but also danger.
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