Vicky and Robert are getting married in a week's time. Surely everything would take its normal course if it weren't for this tricky matter of an official document. Robert's mother insists on seeing Vicky's parents' marriage certificate. After all, the son is supposed to marry into an orderly relationship. But it's like a spell. The important document is and remains untraceable. An embarrassing suspicion arises: Was Rudolph and Ella Borchers' marriage perhaps not legally valid?
In this film, Humbert is on the trail of his own history. Wolfsgrub is the name of the house where Humbert's mother lives, and though she is getting on in years, she becomes young again as she answers her son's questions.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
On March 16, 1978, far-left terrorists of the Red Brigades kidnap Aldo Moro, leader of the Christian Democracy, the ruling party in Italy since the end of WWII.
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
