This extremely short film is dedicated to chronophotography, which—as is well known—is the prelude to cinema. As with one of my earlier films dedicated to Muybridge (The Naked Killer, 1982), this one was excavated from books and catalogues, that is, from typographic ink. I tried, in a certain sense, to reanimate the inanimable as does the photographer Duane Michals, having only, sometimes, three or four frames. I found older stroboscopic technology as well as more contemporary flicker effects to be very helpful here and there. I attempted to realize the cinematic identification of Skladanowksy with Avedon; contaminations, precisely, between creators of films and creators of photography, contemporary or not. It is surprising to see Michals, a contemporary photographer, bearing such a strong cinematographic resemblance to Londe, the proto-filmmaker. I hope, at least, to have told the story of their direct commingling, as if by a single secret author.
This adaptation of the Nutcracker story (by Tchaikovsky and original choreography by Marius Petipa and Lev Ivanov) is updated in this stop-motion animation from the original Japanese release of 1979.
A patchwork of the first animated movies from the collections of La Cinémathèque française : Stroboscopic Discs (1833), Zoetropes (since 1867), Reynaud's Praxinoscope (1878-1879), plates of Muybridge and Anschütz (1880-1890), an unseen Marey's chronophotography (1889), Chromolithographs films (since 1897), including one inspired by the second Georges Méliès' film, "Une séance de prestidigitation" (1896), with a photographic version, unseen until now.
Coalescence is the process of joining or merging elements to form one mass or whole. In this piece, both visual materials and music join and separate themselves in distinct units, forming shapes and sounds that are the combination of elements put together.
Lucien Bull was a pioneer in chronophotography. Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion.
Day after day, inhabitants of the Menagerie play out their daily lives like clockwork. Menagerie is a study on the daily motions and mundane tasks of contemporary city life.
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Piccolo Film Decomposto di Paolo Gioli - by Film&Clips
Piccolo Film Decomposto di Paolo Gioli - by Film&Clips "Piccolo film decomposto" 1986 Film 16 mm bianco e nero muto 18 ftg/s 13' Tutto il Cinema di Paolo ...
Paolo Gioli - Piccolo Film Decomposto (1986)
Piccolo film decomposto [Little Decomposed Film] This extremely short film is dedicated to chronophotography which—as is well known—is the prelude to ...
Paolo Gioli "Piccolo film decomposto"
Paolo Gioli "Piccolo film decomposto" d'après Muybridge filmé au Centre Pompidou Paris accrochage de la collection permanente. MNAM extrait de 7' (1986
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Writes Viola: "Sodium Vapor was recorded over a period of several weeks in the hours between one and five in the morning on the streets of an industrial area in lower Manhattan.
Two street-wise Chicago cops have to shake off some rust after returning from a Key West vacation to pursue a drug dealer that nearly killed them in the past.
The weekly brass band rehearsal is an enjoyable, light-hearted occasion. Then Mathew, the conductor, introduces James, a newcomer to the village, who is an enthusiastic bandsman from the north, where they do these things properly.
When a New York reporter plucks crocodile hunter Mick Dundee from the Australian Outback for a visit to the Big Apple, it's a clash of cultures and a recipe for good-natured comedy as naïve Dundee negotiates the concrete jungle.
In this film, Humbert is on the trail of his own history. Wolfsgrub is the name of the house where Humbert's mother lives, and though she is getting on in years, she becomes young again as she answers her son's questions.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.
The true story of a pair of college students who attempted a double suicide to end their doomed romance becomes fare for legendary pinku-eiga director Hisayasu Sato in this feature.
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