Revathi's parents separated when she was young, and she was raised by her mother who taught her that her father was a bad man. Years later , with her father sick, he send's a last wish to see his daughter. Revathi refuses to go , so her orphan friend goes in a her place without her knowing to fulfill his wish.
Set in 1940s,Ponthan Mada movie is about the irrational bonding of the low-caste Ponthan Mada with his colonial landlord Sheema Thampuran, who was expelled to British India from England during his youth for supporting the Irish Republican Army.
Ival Droupadi movie tells the story of Ajitha (Vani Viswanath) whose sister Anitha is brutally raped by a three member gang including a minister, a Police Commissioner and a rich businessman.
Mukthi movie is all about Haridas (Mammootty) who is the son of a village peon, who returns to his home district as the central government-appointed Collector.
In the middle of the 80s, in Madras. While her car, (one Volkswagen Beetle, typify like Walt Disney's "Herbie") breaks down (frequently), Mâlu (Jayashree), a beautiful young graduate, very independent, stemming from the Tamil bourgeoisie, attends, dumbfounded enough, not far from it, in the terrible correction that Raghunath (alias Raghu) (Mogan) to a pickpocket administers.
Masala (English: Mixture of Spices) is a 2013 Telugu film directed by K. Vijaya Bhaskar and jointly produced by Daggubati Suresh Babu and Sravanthi Ravi Kishore.
Vidyadharan, a clocksmith, is a widower and lives for his only daughter. However, his life takes a turn for the worse when he kills a thug suspecting him for murdering a village girl.
Nirmala is from a royal family. She has everything but yearns for family love and attention. She soon runs into Balu and his family and is delighted to witness what a genuine happy family is like.
Arun, a popular singer and a death convict, helps raise money for the poor through his concert. However, his wife Shanthi has other plans and tries to kill him.
Writes Viola: "Sodium Vapor was recorded over a period of several weeks in the hours between one and five in the morning on the streets of an industrial area in lower Manhattan.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.