Through the heart of a child, it tells about how mercilessly the hardships of war affect the life and fate of a person suffering from hardships and leave a tragic mark.
Georgia Benfield, at her wit's end, loses control and begins physically abusing her elderly mother, just as Georgia had been abused herself as a child.
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
Something very common in our days, an adolescent who does not find communication with her mother or stepfather falls into a depression that drags her down paths of difficult return.
Playwright and director Nils Wijn brings his relationship issues to the stage. In his play "The Whore, the Virgin, and the Dying Man," he has his girlfriend Tessa appear in revealing lingerie and takes her to a real prostitute for some practical lessons.
The weekly brass band rehearsal is an enjoyable, light-hearted occasion. Then Mathew, the conductor, introduces James, a newcomer to the village, who is an enthusiastic bandsman from the north, where they do these things properly.