Punk rock auteur, Danny Plotnick shot his YouTube classic "Skate Witches" in one afternoon in 1986 on Super 8 film at a cost of $60. In it, a group of teenage female skatepunks (and their pet rats) terrorize boy skaters.
When a stubborn old man and a fretful teenaged girl are forced to share a hospital room, an unexpected friendship forms over their hatred of fake cheerfulness and bad hospital food.
Bree and Drew just broke up. Panicking to pack up their stuff before the movers arrive, they fall back on witty repartee to mask their true feels as Drew tries to force Bree to take back the ring she never wanted.
A money launderer finds himself in a bind on Christmas Eve when a case of mistaken identity leads to him spending the evening with an unpredictable runaway instead of his family.
Donald reads in his newspaper that eggs are really going up in value and the price is skyrocketing. Donald realizes that if he had some eggs, he would be quite the wealthy duck so he breaks into a nearby hen-house and collects as many eggs as possible putting them all in a huge basket.
Pete spends his typical morning patrolling a park, teaching himself how to whistle to pass the time. Pete's day takes a turn when he decides he needs a donut.
Alternative movies trailers for Skate Witches
More movie trailers, teasers, and clips from Skate Witches:
Skate Witches
A gang of female Skate Boarders and their pet rats terrorize all the boy skate boarders in town. 1986. Super 8. This film is available on the dvd Warts & All: The ...
Popular movie trailers from 1986
These some of the most viewed trailers for movies released in 1986:
Maria since childhood was directed by her father to become a nun. As a result of her father's cultivation of a rigid appreciation, Maria always feels awkward, including the delinquency that is common for a girl.
Something very common in our days, an adolescent who does not find communication with her mother or stepfather falls into a depression that drags her down paths of difficult return.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
What are Ilona Herfurt and her boyfriend Dietmar Freistrath doing in the old mine? Where does the money come from that her son Jimmy finds under the newspaper? Where have the unique and intricately carved works of art, often passed down for generations, disappeared to from the village in the Ore Mountains? What do the carver Gerlach and his foster daughter llona have to do with it? Questions upon questions that are burning under the detective's nails.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.