The events in the film take place in one of the modern cities. The editor-in-chief Rustam Agayev (Egit Iskenderov) finds an ancient lamp placed in the jaw. For the talented but poor character Rustam, this lamp shatters the sky. With the help of jinn, the young man suceeds: his play is made on anchor; his girlfriend, Maya (Natalia Tagiyeva), agrees to marry him, and the bar is in the apartment. But Rustam wants to achieve everything. When the jinn throws away his "owner," he unveils the secret: a person must believe in his own power, and there must be a strong desire to create miracles.
The sculptor Mahmud, an art student comes to his grandmother's village for vacation. He chooses his cousin Zumrad as a living model for his diploma work.
The film tells the story of a singer who is devoted to his friends and attached to the stage, valuing this more than his talent, vocal skills, and training in opera from professionals.
Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.
Two men shipwrecked on an island in the Caspian Sea are saved by members of a collective farm, where they work on its fishing boats and woo the young woman leading the fishermen.
In search of housing, a student stumbles upon an advertisement for renting an apartment at a very reasonable fee—and promptly agrees with a woman who recently laid her son to rest, complying with all her conditions.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
Nathaniel Box, a self-styled prophet, along with his daughter Barbara and her fiancé Curtis, holds a night time press conference in an underground car park, devoutly believing that "a new Messiah for a New Age" will appear there before dawn - and their wait does not go unrewarded.